rocks and water in forest
 

Artwork from the ForestGEO Network

Our field sites are beautiful.  Our network members are fantastic.  And sometimes our network members make fantastically beautiful art.  Below is a showcase of artistic talent from the ForestGEO community. We thank Erin O’Connell, Daniel Zuleta, Andrea Drager, Erika Akre-Gonzalez, Caly McCarthy, and Kristina Anderson-Teixeira for their contributions.

Erin O’Connell is a field technician with the Myers Lab at Washington University in St. Louis, Missouri (USA) and is currently working on the second census of the ForestGEO plot at Tyson Research Center.  She offers three tree-inspired works, complete with titles and context in the captions. 

“Missouri Winter Buds” by Erin OConnell
“Missouri Winter Buds” - These species represent ten of the most common native genera in the ForestGEO research plot at Tyson Research Center. Clockwise from top center: red oak (Quercus rubra), paw paw (Asimina triloba), sassafras (Sassafras albidum), white ash (Fraxinus americana), slippery elm (Ulmus rubra), shagbark hickory (Carya ovata), Carolina buckthorn (Frangula caroliniana), red maple (Acer rubrum) flowering dogwood (Cornus florida), and downy serviceberry (Amelanchier arborea).
On left: "Photosynthesis for Dinner."  On right: “Tyson Research Center ForestGEO.”  Both by Erin OConnell
“Photosynthesis for Dinner” (left) - This illustration was inspired by the question, "What does a plant eat for dinner?" A healthy serving of thin air (carbon dioxide, represented by blue sweeping swirls) seasoned with nutrients and drizzled with sunlight (vertical yellow beams). And a tall glass of water (underground blue droplets) to wash it all down ...or perhaps up.

“Tyson Research Center ForestGEO” (right) - Based on a November landscape in the Tyson Research Center ForestGEO plot, a forest dominated by oaks and hickories. In late fall, most of the plot's deciduous leaves have been shed and only the marcescent leaves of the oaks remain. 

Daniel Zuleta is ForestGEO’s tropical tree mortality postdoctoral fellow.  He titled his piece, “Many ways to die: tree death and damage in tropical forests."  Daniel made the images below in service of the tropical tree mortality protocol.  He constructed each of the images using only shapes in PowerPoint, repeatedly manipulating their size and orientation to replicate the fractal patterns of trees that he observed in the field. 

“Many ways to die: tree death and damage in tropical forests" by Daniel Zuleta

Andrea Drager worked in the Korup Forest Dynamics Plot in Cameroon for her dissertation and received funding support from ForestGEO through a doctoral fellowship.  The image below was taken using confocal microscopy.  It portrays the stigmas, deposited pollen, and styles of the flower from Cola flavovelutina, a tree in the Korup plot.  Andrea writes, “Auto-fluorescence by the plant gives us the red-green (yellow when overlapping), and aniline blue stain of callose, a plant starch found in some cells, pollen tubes, and sometimes in pollen, gives us the blue. Our research is on the pollination ecology of a community of trees from the Guineo-Congolian rainforest, asking whether pollination outcomes in highly diverse forests are density-dependent or related to other ecological factors and potentially, adaptations.”  Andrea Drager prepared the specimen, and Dr. Budi Utama obtained the image.

Confocal microscopy of Cola flavovelutina by Andrea Drager.

Erika Akre-Gonzalez was lab manager of the ForestGEO Ecosystems & Climate Lab for 6 years.  She shares still life drawings and works of embroidery.

Beautifully rendered drawings of an acorn squash, Indian corn, a beet, and an artichoke by Erika Akre-Gonzalez.

Trees embroidered on napkins by Erika Akre-Gonzalez.

Caly McCarthy, one of ForestGEO’s Administrative Assistants, has also tried her hand at tree-themed embroidery.

An embroidered tree by Caly McCarthy.

Kristina Anderson-Teixeira is a ForestGEO staff scientist and the leader of the ForestGEO Ecosystems & Climate Lab.  She shares two works of watercolor and says, “One is a spot I love in New Mexico (where I did my PhD), the other is in the Sierras (near where I grew up).” 

Landscape paintings by Krista Anderson-Teixeira.